One of the signs of good literature is the ability to stay relevant with the passage of time. Arthur Miller’s play The Crucible, written in the 1950s, uses the Salem witch trials as an allegory for the paranoia surrounding Communism in the US after the end of the Second World War. It is a testament to the strength of the play that it resonates just as strongly in the world of today, with the fears around fake news and the targeting of individuals and communities.
The play has a fairly straightforward narrative (minor spoilers to follow): a group of young women lie and claim that certain members of their town are indulging in witchcraft. This sets off a chain of events both absurd and scary, with the accused being presumed guilty until they either confess (leading to a loss of reputation and property) or refute the charge (leading to a death sentence).